Urban Zellweger b. 1991

Exhibitions
Works
  • Urban Zellweger, Outbreak IV, 2022
    Outbreak IV, 2022
  • Urban Zellweger, Outbreak V, 2022
    Outbreak V, 2022
  • Urban Zellweger, Pizzabox XLV, 2022
    Pizzabox XLV, 2022
  • Urban Zellweger, Pizzabox XLVI, 2022
    Pizzabox XLVI, 2022
  • Urban Zellweger, Pizzabox XLVII, 2022
    Pizzabox XLVII, 2022
  • Urban Zellweger, Body Line, 2020
    Body Line, 2020
  • Urban Zellweger, Facade, 2020
    Facade, 2020
  • Urban Zellweger, Between ladders, 2019
    Between ladders, 2019
  • Urban Zellweger, Hanging From a Bridge, 2019
    Hanging From a Bridge, 2019
  • Urban Zellweger, Mulegns, Spring 2019, 2019
    Mulegns, Spring 2019, 2019
  • Urban Zellweger, Outlook, 2019
    Outlook, 2019
  • Urban Zellweger, Untitled, 2019
    Untitled, 2019
  • Urban Zellweger, Untitled, 2019
    Untitled, 2019
  • Urban Zellweger, Untitled, 2019
    Untitled, 2019
  • Urban Zellweger, Untitled, 2019
    Untitled, 2019
  • Urban Zellweger, Untitled, 2019
    Untitled, 2019
  • Urban Zellweger, Drago di Komodo, 2018
    Drago di Komodo, 2018
  • Urban Zellweger, Komodo Dragon, 2016
    Komodo Dragon, 2016
  • Urban Zellweger, Savage Komodos, 2016
    Savage Komodos, 2016
  • Urban Zellweger, butterfly, 2015
    butterfly, 2015
  • Urban Zellweger, fly, 2015
    fly, 2015
  • Urban Zellweger, snails, 2015
    snails, 2015
  • Urban Zellweger, squat, 2015
    squat, 2015
  • Urban Zellweger, untitled, 2015
    untitled, 2015
Overview
Urban Zellweger (b. 1991, Zürich, Switzerland) lives and works in Zürich. In his paintings and drawings he creates whimsical worlds of scenes that might come out of a fever dream.
 
Recurring motifs like a classically Swiss ski sweater, or his signature alien, and a clown nose that might also be a snail. And over and over again the horse that merges into a human figure but is very far from a classic centaur. Working in thin layers of paint Zellweger covers the canvas multiple times. Often one of the layers consists of a fog-like whitewash which dissolves the motifs painted prior and creates a dream-like scenario. The appearance of the curtain in his works signifies the division of the in- and outside world, marking different mind spaces that merge.
While mundane events and biographical occurrences feed into Zellweger’s visual lexicon they can hardly be recognized as such. Normality is distorted with a surrealist wit and yet everything seems perfectly calm.
Biography
Zellweger has exhibited at Kunstverein Nürnberg, Istituto Svizzero, Milan, LUMA foundation, Zurich, Astrup Fearnley, Oslo, Plymouth Rock, Zurich and Shoot the Lobster, New York, amongst others.