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Pamela Rosenkranz Group show Istituto Svizzero, Roma 16 October 2020 - 31 January 2021 The group exhibition brings together six young artists from Switzerland who address the idea of hybridism through different media and narrative models.  Pamela Rosenkranz (*1979/Altdorf, lives and works in Zurich and Steinhausen) shows three new paintings from the series “Sexual Power”, for which she consumes the synthetically produced substance Viagra while painting and mutates into a hybrid-like being by mixing her own human abilities with an artificially produced substance.   Image: Pamela Rosenkranz Sexual Power (Viagra Painting, Feeling Green), 2020 Acrylic on aluminium 210 x 150 cm ( 82 5/8 x 59 1/8 in ) Photo credits: Flavio Karrer

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Pamela Rosenkranz: PUSH THE LIMITS

Pamela Rosenkranz Group show Fondazione Merz, Turin 07 September 2020 - 31 January 2021 PUSHTHE LIMITS is a project that investigates how art takes itself to the limit to move the horizon of thinking, perception and speech ever further in order to introduce new elements; to say yes or no when “normality” falters; to highlight what is proposed in the present and to prevent a situation of merely treading water. The artists we have invited and who have generously accompanied us even during the lockdown period take this opportunity to reaffirm the urgency of unleashing the infinity of possibles.   Image: Pamela Rosenkranz Amazon Spirits (Green Blood), 2018 Chair, cardboard box, transparent foil, LED projector, Amazon Echo smart speaker, sound Photo credit: Marc Asekhame

Simone Fattal: Artifices Instables: Histoires de céramiques

Simone Fattal Group Show Nouveau Musée National de Monaco - Villa Sauber, Monaco 23 September 2020 - 31 January 2021 Artifices Instables: Histoires de céramiques   Image: Simone Fattal Wounded Woman, 2013 Wood kiln fired stoneware 14 × 24 × 8 cm( 5 1/2 × 9 7/16 × 3 1/8) Photo credit: François Fernandez

David Hominal: Crazy, Cruel and Full of Love: Works from the Contemporary Art Collection

David Hominal Group show Kunstmuseum Bern, Bern 12 September - 14 February 2021

Was erzählen uns zeitgenössische Kunstwerke zum Wechselbad der Gefühle, welches wir im Lockdown erlebt haben? Zur gesundheitlichen Gefährdung und Todesfällen kamen neue existenzielle Verunsicherungen, während «social distancing» zum Schlagwort der Stunde wurde. Auf der Gegenseite konnte man Solidarität, Nachbarschaftshilfe und mehr familiären Austausch erleben. In unserer Zusammenstellung von Werken aus der Sammlung Gegenwartskunst – der Ausstellungstitel ist einem Werk der Genfer Künstlerin Vidya Gastaldon entlehnt – wagen wir einen Streifzug durch die jüngste Kunstgeschichte. Immer auf der Suche nach dem, was uns die jeweiligen Künstler und Künstlerinnen über extreme Zustände und Emotionen erzählen. Mit Werken von: Marina Abramovic, Luc Andrié, Christian Boltanski, Michael Buthe, Miriam Cahn, Martin Disler, Quynh Dong, Vidya Gastaldon, Daiga Grantina, David Hominal, Urs Lüthi, Markus Raetz, Jean-Frédéric Schnyder, Francisco Sierra.

Vivian Suter: Bonzo's Dream

Vivian Suter Bonzo's Dream Brücke-Museum, Berlin 13 September 2020 - 14 February 2021 Mit der Einladung der argentinisch-schweizerischen Künstlerin Vivian Suter (geb. 1949 in Buenos Aires, lebt und arbeitet in Panajachel, Guatemala) tritt die Sammlung des Brücke-Museums zum ersten Mal in den direkten Dialog mit einer zeitgenössischen Position. In einem raumgreifenden Arrangement stellt Suter ihre freihängenden Leinwände den Gemälden, grafischen Werken und kunsthandwerklichen Arbeiten der Künstlergruppe Brücke gegenüber. Diese subjektive, intuitive und erzählerische Auswahl trifft die Künstlerin. Auch eine Reihe von kleinformatigen Collagen der Künstlerin Elisabeth Wild (geb. 1922 in Wien; gest. 2020 in Panajachel, Guatemala), Vivian Suters Mutter, werden zu sehen sein. In der Begegnung der historischen Position der Brücke mit der Ausstellungspräsentation Suters entfaltet sich die künstlerische Auseinandersetzung mit der Natur durch unterschiedliche Mittel und im Kontext eines erweiterten Malereibegriffs.   Image: Vivian Suter Photo credit: Flavio Karrer

Sylvie Fleury: Evelyne Axell: Body Double

Sylvie Fleury Group show with Special Participation of Sylvie Fleury Muzeum Susch, Susch 01 August - May 2021 Curated by Anke Kempkes and Krzysztof Kościuczuk Muzeum Susch presents Body Double, a retrospective exhibition of the Belgian Pop-Surrealist Evelyne Axell (1935-1972). With her original feminist approach in the 1960s Axell became one of the pioneers of Pop Art in Europe. Her distinct body of work is populated by an all-female universe, transcending the established iconography of Pop Art at the time and reclaiming the discourse of women’s sexuality. As a special contribution, the exhibition features the prominent installation Marcel et Robert (2009) by Swiss artist Sylvie Fleury, entering into a cross-generational iconographic dialogue with Axell’s work. The rotating disk forming the base of Fleury’s work is designed as a giant Pop-coloured target mirroring the concentric composition in Axell’s painting The Wall of Sound (1966).   Image: Sylvie Fleury André et Robert (mint pearl and aubergine), 2019 Mini skirt and mannequin legs 110 x 40 x 55 cm 43 1/4 x 15 3/4 x 21 5/8 in Photo credit: Flavio Karrer  

Sylvie Fleury Mondrian Dresses

Sylvie Fleury: Smoke and Mirrors: The Roaring Twenties

Sylvie Fleury Group show Guggenheim Museum Bilbao 30 March - 19 October, 2021 The Guggenheim Museum Bilbao is organizing the exhibition Smoke and Mirrors: The Roaring Twenties, in cooperation with the Kunsthaus Zürich. The aim of this exhibition is to highlight the great utopias emerging in the first half of this decade and explores their still lasting effect on people's everyday life and the arts. Image: Sylvie Fleury Mondrian Dress Rack 3 Mondrian dresses, 3 clothes racks, 3 hangers 150 x 80 x 200 cm  

Vivian Suter: Desert X 2021

Vivian Suter Group Show Coachella Valley, CA, USA 12 March - 16 May 2021 The third edition of Desert X in the Coachella Valley will be curated by César García-Alvarez and Neville Wakefield. García-Alvarez joins returning Artistic Director Neville Wakefield for the third edition of the international art exhibition that will activate California's desert landscape through site-responsive installations by renowned international contemporary artists. Image:

Vivian Suter
Untitled, 2020
Mixed media on canvas
230 x 177 cm 90 1/2 x 69 3/4 in
 

Meret Oppenheim, Carissa Rodriguez: The Flames. The Living Art of Ceramics"

Meret Oppenheim / Carissa Rodriguez Group show Musée d'Art Moderne de Paris, Paris Curated by Anne Dressen 26 March - 15 August 2021 This exhibition will explore ceramics within its intrinsic relations to art but also, more broadly, to humanity. Ceramics is one of the oldest form of human artistic expression. It has been utilized in the production and reproduction of idols, architecture, and food, employing minerals that precede mankind. Many religions and myths regarding the creation of man are believed to have originated from mud. Ceramics—halfway between handicraft, art, and design—is a universal form that forces us toreconsider the categories that usually hierarchize the arts. It is a medium that integrates sculptural, pictorial, utilitarian, craft,industrial, and amateur dimensions. It is also aprocess based practice that can be seen through the lens of relational aesthetics and performative arts Image: Carissa Rodriguez La Collectionneuse, 2015 16.5 x 12 cm  

Sylvie Fleury: Skulptur in der Schweizer Kunst von 1945 bis heute

Sylvie Fleury Group show Aargauer Kunsthaus, Aarau 12 Juni - 26 September 2021

 
Image: Sylvie Fleury First Spaceship on Venus, 1995 Aluminium, Stahl, Abspielgerät, Lautsprecher 350 x 130 x 130 cm

Vivian Suter: Retrospektive

Vivian Suter Kunstmuseum Luzern, Luzern 06 November 2021 - 13 February 2022   Image: Vivian Suter Untitled, 2017 Mixed media on canvas 237 x 182 cm 93 4/16 x 71 10/16 ins

Vivian Suter

Vivian Suter Museo Reina Sofia, Madrid 24 June 2021 - 10 January 2022 The artist Vivian Suter (Buenos Aires, 1949) will be the protagonist at the Palacio de Velázquez in Retiro Park at the end of 2020. In 1983, she took up permanent residence in the heart of the Guatemalan jungle, and there, from her studio in Panajachel, her work evolved toward an increasingly close exchange with the natural environment, rendered on vivid and colorful canvases that relinquish the frame. Image: Vivian Suter, Nisyros (Vivian’s bed), 2016–17 Various materials Installation view Glass Pavilions on Kurt-Schumacher-Strasse, Kassel, Documenta 14 Photo credits: Fred Dott

Vivian Suter / Elisabeth Wild : 2021

Vivian Suter and Elisabeth Wild Art on the Underground, London June 2021 In 2020 Art on the Underground will present major site-specific commissions by Lucy McKenzie, Vivian Suter, and Helen Johnson alongside two Pocket Tube map covers by Elisabeth Wild and Phyllida Barlow. 2020 marks Art on the Underground’s 20th anniversary, a key milestone celebrating its history of working with prominent contemporary artists as a leading commissioner of public art. Vivian Suter will create her first public commission in the UK comprised of over 120 new paintings at Stratford station. For the spring pocket Tube map, Elisabeth Wild will create a new collage inspired by London Underground architecture in colours that recall the luscious landscape of her home in Guatemala. Image: Vivian Suter Portrait Photo credits: Flavio Karrer  

Vivian Suter

Vivian Suter Vleeshal Center for Contemporary Art, Middelburg (NL) January - March 2022 Image: Vivian Suter Untitled, 2019 Acrylic on canvas 235 x 179 cm (92/1/2 x 70 1/2 in) Photo credits: Flavio Karrer

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