Carissa Rodriguez b. 1970
Exhibitions
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Carissa Rodriguez
Imitation of Life
Kunstverein München, Munich, DE 4 May - 18 Aug 2024 -
Sylvie Fleury, Mélanie Matranga, Fern O' Carolan, Carissa Rodriguez
group show
Karma International, Weststrasse 70, Zürich, CH 12 Apr - 18 May 2024 Weststrasse 70, Zurich, CHOpening 11 April 6-8 PMRead more -
Group show
10 Mar - 29 Apr 2017 Karma International, Zurich, CH -
Group show
19 Dec 2015 - 20 Feb 2016 Karma International, Zurich, CH -
Group Show
I bought a hyacinth flower with lots of leaves, just to make me feel like spring 8 Nov - 13 Dec 2014 Karma International, Zurich, CH -
Carissa Rodriguez
7 Jun - 14 Jul 2012 Karma International, Zurich, CH -
Groupshow
SLIP SNIP TRIP 9 Oct - 13 Nov 2010 Karma International, Zurich, CHIda Ekblad, Louise Lawler, Tobias Madison & Kaspar Müller, Nick Relph, Carissa Rodriguez, Hannah Weinberger, Amy YaoRead more
Works
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All the Best Memories are Hers, 2018/19
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The Maid, 2018
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Mirror Blue, 2016
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I'm normal. I have a garden. I'm a person., 2015
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I'm normal. I have a garden. I'm a person., 2015
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I'm normal. I have a garden. I'm a person., 2015
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Untitled ("shallow space"), 2015
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La Collectionneuse (Clear and Butter), 2014
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The Girls, 1997-2018
Overview
Carissa Rodriguez (b. 1970 in New York, USA) lives and works in New York. Her process- and research-based work examines the conditions in which art is produced, placing them within a large web of socioeconomic structures from conditions of labour to human reproduction.
Rodriguez studied Literature at Eugene Lang College at the New School in 1994, and attended the Whitney Independent Study Program in 2001. In 2004 she became one of the core members of the art collective Reena Spaulings Fine Art, a role which she kept for over ten years next to her own practice. Rodriguez is making deeply critical work that reflects on the forces that shape our world. From her distinct perspective that resembles the one of a scientific journalist, she analyzes the institution of the artworld unbound by dogma. When reduced, art can be essentialized into conception and creation, a topic that she explores by looking to artists in their studios or more literally by documenting embryonic cell growth.
Rodriguez studied Literature at Eugene Lang College at the New School in 1994, and attended the Whitney Independent Study Program in 2001. In 2004 she became one of the core members of the art collective Reena Spaulings Fine Art, a role which she kept for over ten years next to her own practice. Rodriguez is making deeply critical work that reflects on the forces that shape our world. From her distinct perspective that resembles the one of a scientific journalist, she analyzes the institution of the artworld unbound by dogma. When reduced, art can be essentialized into conception and creation, a topic that she explores by looking to artists in their studios or more literally by documenting embryonic cell growth.
Biography
Rodriguez has had solo exhibitions at SculptureCenter, Long Island City, CCA Wattis Institute for Contemporary Arts, San Francisco, Front Desk Apparatus, New York and her recent major group exhibitions include Musée d’Art Moderne de la Ville de Paris, the Whitney Biennial, Whitney Museum of American Art, LUMA Westbau, Zurich, amongst others.