Małgorzata Mirga-Tas b. 1978

Exhibitions
Works
  • Małgorzata Mirga-Tas, Bortea Friberg Familia, 2023
    Bortea Friberg Familia, 2023
  • Małgorzata Mirga-Tas, Fred, 2023
    Fred, 2023
  • Małgorzata Mirga-Tas, Khameskro dziwes, 2023
    Khameskro dziwes, 2023
  • Małgorzata Mirga-Tas, Miguel Family, 2023
    Miguel Family, 2023
  • Małgorzata Mirga-Tas, Mire Dadeja Szczawnicate, 2023
    Mire Dadeja Szczawnicate, 2023
  • Małgorzata Mirga-Tas, One Roma Story PHRALA (brothers), 2023
    One Roma Story PHRALA (brothers), 2023
  • Małgorzata Mirga-Tas, Romnija Basiawen/Rainen (Roma women playing cards), 2023
    Romnija Basiawen/Rainen (Roma women playing cards), 2023
  • Małgorzata Mirga-Tas, Rosa Taikon, 2023
    Rosa Taikon, 2023
  • Małgorzata Mirga-Tas, Sako dziwes pasio khiera (Every day close to home), 2023
    Sako dziwes pasio khiera (Every day close to home), 2023
  • Małgorzata Mirga-Tas, Singoalla Millon, 2023
    Singoalla Millon, 2023
  • Małgorzata Mirga-Tas, Wesiuno Kher, 2023
    Wesiuno Kher, 2023
  • Małgorzata Mirga-Tas, Zilli Schmidt, 2023
    Zilli Schmidt, 2023
  • Małgorzata Mirga-Tas, July, 2022
    July, 2022
  • Małgorzata Mirga-Tas, Przyućhar Pes (Cover Yourself), 2022
    Przyućhar Pes (Cover Yourself), 2022
  • Małgorzata Mirga-Tas, Siukar Graja (Beautiful Horses), 2022
    Siukar Graja (Beautiful Horses), 2022
  • Małgorzata Mirga-Tas, Face Value, 2021
    Face Value, 2021
Overview

Małgorzata Mirga-Tas is a Polish-Romani visual artist, sculptor, painter, educator and activist. Born in 1978, she lives and works in Czarna Góra, a Romani village at the foot of the Tatra Mountains, where she also works as an educator and activist. Małgorzata Mirga- Tas combines various techniques to talk about the convoluted Roma and Roma-Polish identity and show the daily life of her community. Mirga-Tas’s work explores themes around history of the Romani people and transcultural and transnational experience of being a Roma. Mirga-Tas' strategy is a kind of insider ethnography that in its own way continues and responds to the work of her uncle Andrzej Mirga, an ethnographer who studied the Romani community from within.This critical tension between the objectification and lived experience of Roma culture is a recurring motif for Mirga-Tas. Drawing on history, anthropology and art history, Mirga-Tas deploys the strategies of reappropriation and upcycling to lay bare the mechanisms that are at the root of much popular thinking about the Roma in Poland and beyond. By reclaiming the voice of her community, Mirga-Tas speaks to the shifting social landscape of Europe, both past and present.

Biography
Initially, she pursued artistic furniture making, which was one of the specialisations offered by the Antoni Kenar Complex of Art Schools in Zakopane. After graduation, she continued her education studying sculpture at the Academy of Fine Arts in Cracow. Her works have been exhibited at the 42nd Biennial of Painting Bielska Jesień in 2015 (she received an honorable mention then), the 43rd Biennial of Painting Bielska Jesień in 2017, the 3rd Art Encounters Biennale in Timisoara in 2019, the 11th Berlin Biennale in 2020 and at the Venice Biennale 2022, in the Polish Pavilion.
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