Ser Serpas b. 1995

Exhibitions
Works
  • Ser Serpas, find me and surrender cadence sweet trite maybe lose tinges of solitude and again acknowledge me, 2025
    find me and surrender cadence sweet trite maybe lose tinges of solitude and again acknowledge me, 2025
  • Ser Serpas, Untitled, 2025
    Untitled, 2025
  • Ser Serpas, Untitled, 2025
    Untitled, 2025
  • Ser Serpas, huff heavy forget this song the hell i see, 2024
    huff heavy forget this song the hell i see, 2024
  • Ser Serpas, never ended try not to, 2022
    never ended try not to, 2022
  • Ser Serpas, reflections forgetfullness in, 2022
    reflections forgetfullness in, 2022
  • Ser Serpas, Trickled Harness baleful fall in, 2022
    Trickled Harness baleful fall in, 2022
  • Ser Serpas, pale founding, 2021
    pale founding, 2021
  • Ser Serpas, Untitled, 2021
    Untitled, 2021
  • Ser Serpas, Chainsaw Gutfuck 3, 2020
    Chainsaw Gutfuck 3, 2020
  • Ser Serpas, Untitled, 2020
    Untitled, 2020
  • Ser Serpas, Untitled, 2020
    Untitled, 2020
  • Ser Serpas, Untitled, 2020
    Untitled, 2020
  • Ser Serpas, Untitled, 2020
    Untitled, 2020
  • Ser Serpas, Untitled, 2020
    Untitled, 2020
  • Ser Serpas, Untitled, 2019
    Untitled, 2019
  • Ser Serpas, Untitled, 2019
    Untitled, 2019
  • Ser Serpas, us all traces, 2019
    us all traces, 2019
  • Ser Serpas, con razon cito, 2017
    con razon cito, 2017
  • Ser Serpas, cop in the head, 2016
    cop in the head, 2016
Overview

Ser Serpas (b. 1995, Los Angeles, CA, USA, lives and works in Paris)

Primarily interested in death and legacy, her work is preoccupied with its own urgency in the face of fossilization. At the present, she’s taken to sequestering the mundane while freely quoting art history in its full depth, paying little heed to the latter.

Ser Serpa works take the from of unstable assemblages of found objects, in which painting, sculpture, drawing, and texts bring together personal memories and traces of everyday life. She mashes bits of her life, both real and imagined, into anti portraits, some of which she deems fit to share within the contexts of exhibitions and performances. Precarious assemblages of disparate objects found in the street, which bear the mark of their uses, constitute her most well known series to date. More recently she has taken to using photos shot on her iPhone during college as source material for intimate views on unstretched canvas, wood panel and paper. 

The unique way she reframes the body in tension, in both her sculptural and text based installations which distort components of our shared architecture, carries into her atypically cropped portions of stolen archetypal intimacy.

Biography
In all, the work evokes a sense of gravitas and playfulness, one in the same with that which she hopes to communicate on the interpersonal level. Serpas has had solo shows at Bourse de Commerce, Pinault Colllection, Paris; Swiss Institute, New York; LUMA Foundation,Zurich, Ludlow 38 in New York among others. She took part in the 2020 Made in LA biennial at the Hammer Museum and the Huntington. She was featured in shows at Haus am Waldsee, Berlin, Bonner Kunstverein, Bonn, Istituto Svizzero, Rome; Centre d'Art Contemporain, Geneva; City Salts, Basel; Pinault Collection; Punta Della Dogana, Venice; Swiss Institute, New York amont many others.
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