Meret Oppenheim 1913-1985
Exhibitions
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Ida Ekblad, Simone Fattal, Hans Josephsohn & Meret Oppenheim
Group show 1 Sep - 11 Nov 2023 Weststrasse 70, Zurich, CHOpening September 1st, 6 - 8 pm Weststrasse 70Read more -
Meret Oppenheim
Anekdoten des Schicksals
group show
Kunstmuseum Bern, Bern, CH 28 Jul 2023 - 7 Jan 2024'The exhibition presents artists and works from the collection of Kunstmuseum Bern that have rarely been seen by a large public. In dialogue with «masterpieces» of the collection, these forgotten...Read more -
Meret Oppenheim
My Exhibition
MoMA, Manhattan, USA 30 Oct 2022 - 4 Mar 2023“Nobody will give you freedom,” said Meret Oppenheim in 1975. “You have to take it.” Inspired by the visionary Swiss artist’s own plans for an exhibition of her art, Meret...Read more -
Meret Oppenheim & Ser Serpas
L’arcobaleno riposa sulla strada
Istituto Svizzero, Roma, IT 29 Oct 2022 - 12 Feb 2023«When one speaks but an own, new language that no one understands yet, sometimes he [she] has to wait a long time until he [she] hears an echo». A statement...Read more -
Meret Oppenheim
Zeichnungen mit Tisch
Co-curated by Jacqueline Burckhardt 10 Jun - 16 Jul 2022 Weststrasse 70, Zurich, CH -
Meret Oppenheim
Take Care: Kunst und Medizin
Kunsthaus Zürich, CH 8 Apr - 16 Jul 2022 -
Renate Bertlmann, Ellen Cantor, Vaginal Davis, Leila Hekmat, Friedl Kubelka, Sarah Lucas, Reba Maybury, Meret Oppenheim,
IN THE COMPANY OF
EDEN EDEN, Berlin, 2022 26 Feb - 2 Apr 2022 -
group show
Reconstruction
Hans Bellmer, Marcel Broodthaers, Heidi Bucher, Haneyl Choi, Ida Ekblad, Lewis Hammond, Hu Xiaoyuan, Li Liao, Shinoh Nam, Meret Oppenheim, Yun Suknam, Zhang Xiaogang
curated by Aita Sulser and Johannes Hoerning 17 Sep - 30 Oct 2021 Weststrasse 70, Zurich, CH -
group show
Judith Bernstein, Ida Ekblad, Sylvie Fleury, Meret Oppenheim, Pamela Rosenkranz, Emanuel Rossetti, Xanti Schawinsky, Ser Serpas, Vivian Suter 12 Sep - 24 Oct 2020 Weststrasse 70, Zurich, CH -
Meret Oppenheim and Friends
Cadavre Exquis 13 Dec 2018 - 2 Feb 2019 Karma International, Los Angeles, USA -
Meret Oppenheim
14 Dec 2017 - 27 Jan 2018 Weststrasse 75, Zurich, CH
Works
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Untitled, ca. 1950s
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Ohne Titel, 1985
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Tisch für Jacqueline, 1985
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Tundra, 1985
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Der See der Hermaphroditen, 1984 - 1985
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Stadtsilhouette, davor tote Bäume , 1984
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Steinzeitliche Spuren , 1984
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Panthermännchen , 1981
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Japanischer Garten , 1976-77
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Mann im Nebel , 1975
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Gesicht nach links schauend , 1960
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Profil und Ausrufzeichen, 1960
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Zwei Gesichter, 1960
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Schneebeeren, 1959
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Qualle, 1958
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Souvenir de l'âge de la pierre, 1956
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Raupe in Metamorphose, 1954
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Mädchen am Seeufer, 1932
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Fleurs dans le vase, 1926-27
Overview
Meret Oppenheim (1913 - 1985) was born in Berlin, Germany and died in Basel, Switzerland. She was an artistic pioneer, icon, painter, sculptor, designer, model, muse—in essence, a visionary. At the age of 18 she moved to Paris to study art at the Académie de la Grande Chaumière. It was in the Ville Lumière that she became friendly with established artists living in the city, from Alberto Giacometti to Max Ernst, from Jean Arp to Pablo Picasso.
Oppenheim managed to gain a foothold quickly. Not only did she become the first female member of the Surrealists, she even contributed to the Surrealist Manifesto published by André Breton in 1924 when he incorporated her famous equation X = Rabbit, which she made as an 11 year old girl. Her place at the epicenter of the 20th century’s most influential moments was solidified by appearing in Breton’s first exhibition on Surrealism in 1936 at Galerie Ratton, Paris.The piece she showcased, Object (Le Déjeuner en fourrure), would be purchased by Alfred H. Barr Jr. for the MoMA New York later that year when the artist was only 23. Meret Oppenheim’s eclectic body of work is rooted firmly in her own fantastical world of the subconscious as manifested into physical reality. In her paintings, drawings, sculptures, photography, design objects, and poetry, Oppenheim speaks to the alienation of man as put forth through the ideas of psychoanalyst Carl Jung. Encouraged by her psychoanalyst father, Oppenheim started documenting her dreams as a teenager and created her first aphoristic drawings.
Oppenheim managed to gain a foothold quickly. Not only did she become the first female member of the Surrealists, she even contributed to the Surrealist Manifesto published by André Breton in 1924 when he incorporated her famous equation X = Rabbit, which she made as an 11 year old girl. Her place at the epicenter of the 20th century’s most influential moments was solidified by appearing in Breton’s first exhibition on Surrealism in 1936 at Galerie Ratton, Paris.The piece she showcased, Object (Le Déjeuner en fourrure), would be purchased by Alfred H. Barr Jr. for the MoMA New York later that year when the artist was only 23. Meret Oppenheim’s eclectic body of work is rooted firmly in her own fantastical world of the subconscious as manifested into physical reality. In her paintings, drawings, sculptures, photography, design objects, and poetry, Oppenheim speaks to the alienation of man as put forth through the ideas of psychoanalyst Carl Jung. Encouraged by her psychoanalyst father, Oppenheim started documenting her dreams as a teenager and created her first aphoristic drawings.
Biography
In January 1975 Oppenheim received the 1974 Art Award of the City of Basel where she held a significant speech on the topic of “female artists”, and in 1982 the Grand Award of the City of Berlin. That same year she became part of the Academy of Arts, Berlin. Despite the challenges her gender posed in the early half of the 20th century, Oppenheim had a prolific, lifelong career with her first retrospective in 1967 at Moderna Museet Stockholm, Sweden, followed by appearances in Harald Szeemann’s documenta 7 in 1982 and in 1984 by an important retrospective with stations in Bern, Paris, Frankfurt, Berlin and Munich, as well as, after her death, in the 1986 Venice Biennale. Since, there have been several retrospective exhibitions including those at the Guggenheim Museum, New York in 1996, and at the Martin Gropius Bau, Berlin, in 2013. A new retrospective is programmed to start in October 2021 at the Kunstmuseum Bern, then traveling to the Menil Collection Houston as of March 2022 and finally arriving at the MoMA New York in October 2022.
Events